Friday, August 1, 2014
This is a legit gripe. While increasingly books by some local authors, such as Paul Cleave, Paul Thomas, Liam McIlvanney and Neil Cross, are available to readers in the UK and USA, many other equally fine writers are not. Vanda Symon, Paddy Richardson, and Alix Bosco have been published in Germany, but not the English-speaking northern hemisphere markets. Ben Sanders' upcoming fourth thriller is set in the USA, and will be published there next year, but his first trilogy is harder to come by.
So I'm pretty stoked to be able to share today that Wellington author Cat Connor's books SNAKEBYTE is currently available for free on Amazon Kindle, meaning wherever you are in the world, you can give a Kiwi thriller a go. If like me you don't have a Kindle, you can download a free Kindle app to read the book on your laptop or other devices.
I haven't yet read SNAKEBYTE, but I did really enjoy one of the earlier books in the series starring FBI Agent Ellie Conway. Connor writes exciting, visual tales. You can read her 9mm interview here.
Try some Kiwi crime writing and download SNAKEBYTE for free here. Happy reading!
It's one of the reasons I love being a writer, interviewing people famous and not, and writing articles. Whether it's getting to know a different side of a celebrity (I prefer to uncover cool, universal and positive things we can learn, rather than hidden secret controversies), or learning about someone who is lesser known but well worth reading about.
So thanks for letting me share more about some cool authors with you here via Crime Watch and the 9mm series. I hope you enjoy the interviews, and find some things you connect with along the way. Today, for the 76th instalment of 9mm (now we're rolling again!), I'm pleased to share my recent interview with Canadian military historian and mystery novelist Mark Zuehlke.
As I mentioned in a Crime Fiction Alphabet post (Z is for Zuehlke) back in 2010, I first became aware of Mark Zuehlke when I saw him at a Crime Writers of Canada Arthur Ellis Awards evening at the Vancouver Public Library in early 2008. My partner and I were staying with a friend in the city as a month-long stopover from our yearlong round-the-world travels. I'd fluked upon a notice about the evening when I'd been at the library earlier that week; the shortlists for the 2008 Arthur Ellis Awards were being announced, and several highly-regarded British Columbia-based mystery writers would be in attendance, including William Deverell, and Zuehlke (neither of whom I'd heard of before that evening) - both previous winners.
Zuehlke is a former journalist who has turned his hand to writing acclaimed non-fiction works delving into Canadian military history, and an award-winning mystery series starring Vancouver Island coroner Elias McCann. His first of three mysteries starring McCann, HANDS LIKE CLOUDS, won the 2001 Arthur Ellis Award for Best First Novel, and this was the book I managed to get my hands on a week after I met Zuehlke - coincidentally purchased from a great little bookstore near Victoria, on Vancouver Island.
When I spoke with Zuehlke by email recently, he mentioned that he was contemplating bringing McCann back in a new novel at some point. Fingers crossed that's the case, as it is an intriguing series. In the meantime, he now stares down the barrel of 9mm.
1. Who is your favourite recurring crime fiction hero/detective?
I keep coming back to Dave Robicheaux in the long-running series penned by American author James Lee Burke. This series inspired some of my approach with Elias McCann. The rich atmosphere of the Louisiana Bayou providing the kind of setting texture that I wanted to evoke in descriptions of Vancouver Island’s west coast. Elias and Robicheaux are very different characters, the bayou differs vastly from the rain forest and stormswept beaches of west coast Vancouver Island, but there is a similarity in how Burke and I make the landscape a character in which the story/mystery unfolds.
2. What was the very first book you remember reading and really loving, and why?
I devoured the Hardy Boys in Grade 2 and onwards. Lots of suspense and actually pretty fair plots. There was another series where a couple young people were part of a family that travelled around the world capturing wild animals for zoos and would get swept up in a mystery. I don’t recall either the author or the series name, but that was a keeper for me at a young age. I lived in a very small Canadian logging village hemmed in by mountains. Anything that offered exotic escape and adventure was grist for the mill.
3. Before your debut crime novel, what else had you written (if anything) - unpublished manuscripts, short stories, articles?
I trained as a journalist and initially worked in radio and newspaper as a reporter. Eventually I started freelancing newspaper and magazine articles in 1980 and did that exclusively for 12 years. But I was always writing novels. I wrote my first piece of fiction in Grade 3—a terrible, derivative western full of brave American cavalry fighting off hordes of wild Indians. As the years passed I like to think I got better and the work became original. There are a number of thrillers in the drawer that won’t see the light of day, but writing those was part of honing skills. In 1992, I published my first non-fiction book (a magazine writing how-to that amazingly is still in print called Magazine Writing from the Boonies: co-authored with Louise Donnelly). After a few other quasi-reference books I wrote a popular history about British Remittance Men who came to Canada between the 1880s and 1914 called Scoundrels, Dreamers & Second Sons. That history did fairly well and encouraged me to start writing military history, which is now what primarily puts bread and butter on the table and is also personally extremely rewarding. But Scoundrels also provided the spark for the Elias McCann series. Having finished the book, I realized I wasn’t really finished with Remittance Men. So I started imagining a story about the life of a modern-day remittance man. Where would he live? The end of the continent—Tofino on Vancouver Island’s west coast. What would he do? Well, the thing about Remittance Men is they didn’t generally do anything but try to live as Victorian British gentlemen because they received these remittances of money from family back in Britain who were desperate to prevent their returning from the far reaches of the Empire.
There’s a quirk in my Canadian province of British Columbia whereby community coroners don’t have to be doctors or otherwise suited to investigate homicidal deaths (any death that is not natural). They just have to be under the Coroner’s Act a member in good standing within the community. So it seemed natural that reluctantly Elias could be convinced to be the coroner because nobody else in little Tofino wanted the job and somebody had to do it. A character was born and presented with endless opportunity to investigate mysteries. But not by being all CSI, rather by using his wits and talking to people - all those interesting people who dwell in a remote place like Tofino where people go to escape or be reborn or…
4. Outside of writing, and touring and promotional commitments, what do you really like to do, leisure and activity-wise?
I’m probably a bit dull. Spend a lot of time gardening, walking and hiking in Victoria and elsewhere on Vancouver Island, cooking, reading insatiably, travelling (quite a bit to Europe both for work and pleasure, camping in the hard, hot desert country of southern Utah—which is so unlike my coastal environment here).
5. What is one thing that visitors to your hometown should do, that isn't in the tourist brochures, or perhaps they wouldn’t initially consider?
Go for a walk on Willows Beach in Oak Bay. I’m just back from taking a picnic lunch there and it’s gorgeous on a sunny day with the ocean in front of you and the volcano of Mount Baker hulking in the distance.
6. If your life was a movie, which actor could you see playing you?
Probably Harrison Ford as he can play a good everyman. AKA The Constant Gardener.
Probably the third Elias novel, Sweep Lotus. I think it was the most fully realized of the three novels. But I’m also extremely pleased with the soon to be 11 volumes of the Canadian Battle Series because that’s leaving a lasting legacy of remembrance of the role the Canadian Army played in World War II - a role that was largely forgotten not only by Canadians but also by non-Canadian military historians writing about the war.
8. What was your initial reaction, and how did you celebrate, when you were first accepted for publication? Or when you first saw your debut story in book form on a online or physical bookseller’s shelf?
This is tough because my publishing career evolved from a newspaper background, so there wasn’t that “Wow” factor when the first book, or the first mystery, or first military history book landed on a bookstore shelf. It felt more like another step forward or upward, but not a giant step. We celebrated the publication of Hands Like Clouds in the only way appropriate. By stealing away for a weekend in Tofino to walk the beaches of Pacific Rim National Park and see if we might spot Elias McCann and/or Vhanna Chan, or the dog Fergus wandering the sand as well.
9. What is the strangest or most unusual experience you have had at a book signing, author event, or literary festival?
It happened at a reading of Elias McCann at the Vancouver Public Library in 2001. I was reading from Hands Like Clouds which had come out the year before. There was another mystery writer reading as well. The event was a dismal failure with only about 8 people (mostly consisting of some of my family and my agent). There was one young woman in the front row who seemed out of place and was visibly bored. As the question and answer period dragged on, she put her hand up. “Can we have the coffee and cookies now?” she asked. That’s why she was there, to get some free food and drink. We hurriedly complied with her request and adequately satiated she went on her way. I might have drawn on her a little for some of the homeless young people who figure in Sweep Lotus.
Thank you for speaking with Crime Watch Mark. We appreciate you taking the time.
You can read more about Mark Zuehlke here:
- "Z is for Zuehlke" on Crime Watch
- Mark Zuehlke author page
- Interview in the Toronto Quarterly about his Canadian military series.
Have you read any of the Elias McCann mysteries, or Zuehlke's military histories? Are you a fan of Canadian crime fiction? What other authors would you like to see featured in upcoming 9mm? Comments welcome.
Thursday, July 31, 2014
Reviewed by Craig Sisterson
A decade of torture: beatings, stabbings, and all manner of assaults. Audie Palmer has endured the threat of death on a daily basis, from inmates, guards, and prison gangs – all wanting to know what he did with the missing $7 million. A day before his long sentence for the deadly armed robbery expires, Audie escapes. Why? Because after a decade of protecting his own life, he needs to save another’s.
A decade of crime writing: awards, acclaim, and international bestseller lists. Michael Robotham has honed his storytelling skills over the course of nine novels, psychological and geopolitical thrillers, following on from a career as a London-based journalist and celebrity ‘autobiography’ ghostwriter.
Now the man from the North Sydney beaches has turned from his usual heroes, Parkinson’s-afflicted psychologist Joe O’Loughlin and tough investigator Vincent Ruiz, and his usual setting, the United Kingdom. Instead, a standalone story about a stoic and courageous convict on the run in Texas, a tale that may very well be Robotham’s masterpiece.
With its examination of prison life, and murky mix of eclectic characters, crooked and kind, there is something Shawshank-esque about Life or Death. However, Robotham elevates his novel far beyond derivative thanks to his tight and twisting plotting, exquisite settings, and most importantly the emotional oomph of Audie’s tale.
Life of Death is like fine bourbon: smooth, layered, and lingering long after the final sip.
This review was first published in the August 2014 issue of LSJ, the magazine for the NSW legal profession.
Wednesday, July 30, 2014
Recently I read an advance proof of Michael Robotham's tenth and latest thriller, LIFE OR DEATH, and interviewed Robotham about what many are considering his masterpiece. I will be writing a feature for the New Zealand Listener, to be published in next month. But in the meantime, as today is the release day LIFE OR DEATH, the compelling and emotional tale of a Texas prisoner who escapes the day before the end of his sentence, here is a video interview of Robotham discussing the book with Booktopia.
In a shock to readers around the world, it came out that this writer of murderous tales was in fact herself a notorious murderess, Juliet Hulme of Parker-Hulme infamy. Along with childhood best friend Pauline Parker, Hulme/Perry bludgeoned Parker's mother to death in Christchurch in 1954. It was a crime that not only shocked the nation, but got global coverage, even being mentioned in TIME magazine.
Much has been written about the horrific crime, then and since, delving into the court case, the scandal surrounding the girls' friendship, the reasons and motives, the fact the two escaped the gallows due to their age (and perhaps gender) at a time when New Zealand still had the death penalty, and their disappearance into anonymity following release.
But until recently, no-one had ever really talked to Perry/Hulme herself about it. The acclaimed author was something of a recluse, but eventually Dr Joanne Drayton, who penned an excellent biography of Dame Ngaio Marsh, became the first writer to sit down with Perry and delve deeply into her complex life. The result is a fascinating biography, THE SEARCH FOR ANNE PERRY, which was released in New Zealand in late 2012, and this month has been published in the United State (Arcade Publishing).
You can read more about this book at Drayton's website here.